His work has featured in galleries, performances, and film festivals across several countries and is available for sale, screening, installation, and commission.Within African film studies, it has become commonplace to draw a distinction between the radical political agenda of the first African filmmakers, in the 1960s, and the more diffuse, less ideological interests of more contemporary filmmakers. The majority of Morgan’s work is created through temporally stretching apart the spaces between still images to reveal surprising juxtapositions.Morgan’s abstract videos delight in teasing the point at which one form becomes another, playing with the mind’s inherent desire to draw solid lines and form concrete meanings.Today Morgan maintains his art practice alongside commercial post-production projects. The expressive possibilities therein inspired an ongoing opus of 64 abstract films that continue to expand his distinct perspective upon the medium. Here Morgan found his concern with the unexplored spaces between still and moving images. He began his art practice in 1998 via the mediums of drawing and printmaking before gaining a degree in the expanded field of painting at Wimbledon College of Art in 2003. Morgan Beringer is an American born video artist based in London, UK since 2003. MediaLive is produced by the Boulder Museum of Contemporary Art and ATLAS, at the University of Colorado, Boulder.
Since 2012, Fodel has co-curated the MediaLive Festival, featuring live audiovisual performances, talks and workshops from international artists. He teaches Live Media, Creative Computation, and Electronic Art at the University of Colorado, Denver. His eclectic installations, live performances, award-winning sound design and videos have been exhibited, screened, and performed internationally including TiMaDi, London, England Post-Screen Festival, Lisbon, Portugal Festival ECUA-UIO, Quito, Ecuador Future Places Festival, Porto, Portugal Transmediale, Berlin, Germany, and the International Symposium on Electronic Art. An early adopter of vj tools for live performance graphics, she continues to explore the synergistic and improvisational work-flow these tools provide to video and animation artists.ĭavid Fodel is an artist, educator, curator and writer whose recent work concerns itself with reading and writing traces of systems and processes, technological and otherwise, that are overlooked, invisible, and mute in an attempt to animate and actualize those potential languages. Honored by Adobe as a Master Teacher for her contributions to digital education, she has taught motion graphics and 3D design and animation at Bay Area colleges.
By using them, with no naturalistic but absolutely modern strokes, the author manages to reach a perfect communion with the natural world". In awarding a prize to Kopmar's film "Night Fishing with Cormorants", the judges of Prix Simona Gesmundo Animation Festival described it as "A beautiful and fascinating work containing inspirations coming from a distant literary and pictorial past.
Her award-winning abstract animations have shown in film festivals around the world where they were recognized for their unique combination of expressive graphics and arresting sound. It is intended to promote discussion/inquiry into the values and larger social implications of virtual reality as a whole.īetsy Kopmar is a painter, photographer, and director of experimental animations who lives and works in Berkeley, California. A surprising structural connection between these images and a type of 'spiritual transcendence' is revealed.
#Elementos visuales y sonoros series#
It is part of an ongoing series of video pieces, each featuring progressively more abstract imagery of people ecstatically donning VR headsets while engaging in a wide range of activities from fishing to surgery. “ VR 01 - Selection From” is a four minute excerpt from the video installation work 'VR 01' by Morgan Beringer Studio, 2020.
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